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转业军人林家喜回到山东老家，妻子也跟着来这里安家落户，她就是春燕的婶子。 婶子一进门，家中的矛盾就出现在眼前。家喜的哥哥家成买回奶牛，想问家喜借钱付款。但家喜已将转业费购置了印刷厂设备无力再出钱。家成以为是弟弟一切都听老婆的，故意不肯帮忙。 印刷厂开工后，家成和妻子都想进来打工。但婶子先是雇了外村的2个熟练工，后勉强让他们进厂，但在质量上严格管理，与家成发生了严重冲突。 印刷厂的本子因质量差卖不出去，婶子开除了家成，结果春燕因困难被迫准备退学，眼看无法参加高考。家成气得与弟弟分了家。婶子却在十分困难的情况下咬牙资助春燕上学。 春燕妈还不知道婶子的帮助，为了春燕的上学，冒险上山掏蜂窝，结果摔下悬崖身亡。 家成买回的奶牛有病无法产奶，家中更困难了。家成不准女儿上学，成绩很好的春燕只得心犹不甘地停学。 卖病牛给家成的老东来要钱，被婶子给治回去了。婶子尽全力...。Herbert Vesely was one of the promises for a new German cinema already in the 50's, but after the 60's his star was already dimmed. He made a small number of films in the 70's and 80's, all non too good. This biography of Egon Schiele, one of the most important Austrian artists, is an example of the pretensions and emptiness of a Vesely-film of later date. The life of Schiele is presented here as a puzzle| well, Vesely thinks that Schiele's life was a puzzle: the core of the story is centered around the famous 1912 pornography trial and using this as base the film shows fragments of past and future. The problem is that it never becomes a unity and that the order of scenes and sequences seems to be at random: a cut-and-paste job that could have had any other result. Indeed, after seeing it twice I am almost convinced of it that a unsatisfactory linear thought-out film was changed into the puzzle in the editing room. Egon Schiele was an enigmatic man, but not a total puzzle, and this film does not bring him any closer. The films also fails in conveying the eroticism and meaning of the Schiele's paintings: the camera watches and glides over the models without any understanding of Schiele's intentions, we only see beautiful naked bodies. If interested in Schiele, you better buy a book with his works in stead.。