视频简介
The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich| his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.。该片讲述在战火纷飞、政局动荡的上世纪三四十年代，一群身份特殊的传奇共产党人斡旋敌特、合力推动中国走向光明、为建国大业立下汗马功劳的精彩故事。。该故事讲述了数桩因毒品过量导致的连续命案。根据线报，这些案件与黑帮贩毒集团有关，其头目吴豪生性狠毒，势力盘根错节，在全市范围内通行无阻，令许多人敢怒不敢言。新上任的市刑警队长在获悉案情后，以迅雷不及掩耳之势展开扫毒扫黑行动，结果缴获的毒品数量极为惊人，创下了该市的历史纪录。。