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The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich| his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.。有"好莱坞圣经”之称的全球娱乐传媒业的标杆媒体Variety称赞其为一部有趣、有料又有感动的故事。影片讲述了一群同学重聚之后发生的故事。三名曾经一起玩乐队而如今早已疏远的老同学Anna,Barry一同来到隐居在沙漠的Travis住处相聚，共同庆祝他们的30岁生日。沙漠之中，极端的地理条件下，三个处在现实焦虑中的昔日好友都发现了时间在彼此身上引起的巨大变化，一系列意想不到的事情接连发生。。肃杀之夜，一架军用飞机坠毁南极大陆，机组人员全部身亡。 　　美国位于南极洲的阿蒙森·海斯科特科学研究基地，此时迎来一年一度的圣诞假期。已在此工作两年的美丽女警凯莉·斯泰德克（凯特·贝金赛尔 Kate Beckinsale 饰）正准备回国度假，但就在这一关头，研究站接到发现尸体的报告，凯莉只得和一队人马前往调查。他们在一座峭壁前发现一具死状凄惨的尸体，经过勘察，凯莉得知死者是一名来自英国科考队的地质学家，而他死亡的背后似乎另有隐情。是时，强烈的风暴即将来袭，凯莉不得不中止行程，马不停蹄调查这起案件，希望在风暴来袭前查到凶手。在这一过程中，隐藏已久的秘密也渐渐浮出水面……。