徐智英

视频简介

该片讲述了80后的剪辑师江洋正经历着人生最苦逼的日子，导演梦被嘲笑、漂亮女友被惦记、父亲迂腐无法理喻，屋漏偏逢连夜雨，工作上又发生重大失误，使得江洋阴差阳错踏上一段疯狂之旅。 因流程疏忽而没有人发现操机员梦小言将一只没有版权的音乐剪进电影。因为没有版权，所以梦小言急于在电影上映前找到该音乐的创作人。为了找寻那名消失多年的音乐人，梦小言碰上了她一贯最讨厌的剪辑师江洋，他们要一起完成这次寻人任务，让最讨厌的人每时每刻都出现在蔡小言眼中时，当最不想有任何牵扯的人每时每刻都站在梦小言身边事，当最不喜欢听到的声音每时每刻都在耳边响起时，梦小言与江洋会发生什么样神奇的故事，寻人的旅程中，他们获奖擦出什么样令人惊奇的火花呢。。本片改编自真实故事，讲述了家庭之间的爱与羁绊所交织的奇迹，描写了主角一心只想拯救女儿的生命，在没有知识和经验的状态下挑战开发医疗器具这一不可能的挑战，后来拯救了16万人的生命的故事。。Umberto Lenzi is undoubtedly the king of Italian crime movies, but unfortunately| Syndicate Sadists is not the best examples of his work in this genre. Lenzi's crime flicks tend to be a cut above the rest because he makes films based on stories with a point, and they don't lack direction| but this film feels a bit too wayward to fully fit with the rest of his stuff. The film takes obvious influence from Sergio Leone's landmark western 'A Fistful of Dollars' (which in turn, took influence from Akira Kurosawa's landmark samurai flick Yojimbo), in that it features two warring families and a strong character at the centre. The crime that Lenzi focuses on is kidnapping, and we centre on a character called 'Rambo'. Rambo is dragged into the war between the two families after his brother is killed because of it. Rambo uses his brains and brawn to pit the two families against one another, in the hope of gaining revenge for his brother's death, rescuing a young boy that they've kidnapped, and ultimately letting the two sides destroy one another. The film's biggest asset is undoubtedly Tomas Milian. Milian was put to great use by Lenzi in almost all of his crime thrillers. The range of characters he has played for Lenzi is immense, and this one is easily one of the coolest. The character is called Rambo, which immediately sprang to mind the popular Sylvester Stallone character - but for once, the Italians actually haven't stolen this name as Syndicate Sadists was released first! As usual, the film is wickedly entertaining, as we get to watch Milian get himself involved in the usual array of car chases, shootouts and brawls. Lenzi has got him riding a motorbike this time round, and every scene featuring it and Milian is a real standout! However, the film often feels like it doesn't really have anywhere to go, and this means that the running time is stretched out more than it should be. Compared to the crime films of other Italian directors, Syndicate Sadists is more than above average| but in relation to Lenzi crime flicks such as Almost Human and The Cynic, The Rat and The Fist - it doesn't stand tall as one of Lenzi's best. Still, if you're looking for ninety minutes of testosterone fuelled mayhem - Syndicate Sadists will suffice!。