视频简介
家道中落,汤姆(詹姆斯·马歇尔 James Marshall 饰)无奈之下跟随父亲搬到了贫民窟,在这里,残酷的生活等待着他。一名拳击经纪人看上了体格健壮的汤姆并将他介绍给了拳击教练诺亚(奥西·戴维斯 Ossie Davis 饰),没过多久,经验丰富的诺亚就将汤姆训练成为了一名职业拳击手。 首战告捷的诺亚吸引了拳击俱乐部老板何恩的注意,他买下了汤姆父亲所欠下的全部债务,就这样,汤姆成为了何恩赚钱的工具。在拳击场上,汤姆结识了志同道合的好友林肯(小库珀·古丁 Cuba Gooding Jr. 饰),两人饰生活中的好伙伴,同时也是赛场上的竞争对手。随着时间的推移,汤姆逐渐看清了何恩贪婪而又残忍的真面目,与此同时,汤姆得知,他的下一个对手,竟然正是林肯。。The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich| his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.。
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